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A great deal has been documented about the art of running, a restorative movement with potential for emotional liberation. In the realm of competitive games, however, the pressure of rivalry can cause individuals to overlook of this fundamental aim. Transposed from the same-named comic, Kenji Iwaisawa’s mesmerising anime goes past awards and honors to investigate the existential drive that fuels an sports star’s dream.

Story Synopsis

The 100-Meter Film traces Togashi and Komiya, youth companions whose personal journeys separate when they turn professional. Formerly the speediest young pupil in Japan, Togashi helps the less self-assured Komiya with the fundamentals. As the duo enter their teens and their 20s, Komiya steadily accelerates up the ranking of premier sportspeople, while Togashi is stuck in a slump; both battle fears and doubts. Spanning more than 15 years, the narrative documents their internal hurdles, revealing the challenges of an sports professional’s journey, trapped in a loop of societal observation, result pressures and endorsement requirements.

Visual Highlights

Possibly it’s because of the original work, but the movie’s approach to these intricate issues is rather superficial; repeatedly, a protagonist’s uncertainties just vanish after a lengthy conversation with a peer or a senior. But what 100 Meters lacks in story nuance and rhythm, it redeems itself with in stunning imagery. Utilizing rotoscoping, in which animation is drawn atop filmed sequences, the feature generates remarkably precise dash moments. The bodily strain of a dash is on full display, and the struggle and triumph of competition are imprinted on the athletes’ physiques.

Impactful Sequences

One notably pivotal race concludes in the downpour, with torrents of monochrome brushwork that immerse the screen. More than any dialogue, these displays of stylistic brilliance encapsulate the near-transcendent euphoria the animation aims to inspire.

The Sprint Film is in UK cinemas from 16 November.